NUJ DUBLIN LIFE MEMBERS

Five of the ten new NUJ life members in Dublin  Photo: © Michael Fisher

Five of the ten new NUJ life members in Dublin Photo: © Michael Fisher

NUJ President Barry McCall from Dublin was the guest of honour at the presentation of life memberships to ten members of the National Union of Journalists, most of them working in the Dublin area. The ceremony was held on Friday evening at Liberty Hall, as a prelude to the Biennial Delegate Conference of the Irish section of the NUJ. NUJ General Secretary Michelle Stanistreet came to congratulate the ten, who between them have over 400 years’ membership of the union.

Jim Eadie, Ray Managh, Michelle Stanistreet and Michael Fisher (Belfast & District Branch, NUJ)

Jim Eadie, Ray Managh, Michelle Stanistreet and Michael Fisher (Belfast & District Branch, NUJ)

Husband and wife team Clodagh Sheehy and Liam Kelly from the Irish Independent group were among the recipients. Des Ekin of the Sunday World, who joined the NUJ as a cub reporter in the Newtownards Chronicle before moving to the Sunday News also received the award. Another Northerner Ray Managh who has worked for many years as a freelance courts correspondent in Dublin was presented with his certificate. He began his career in the Tyrone Constitution in Omagh and his proposer for NUJ membership was Ivan McMichael. He sent warm regards to a former colleague and PA Ireland Editor Deric Henderson, celebrating forty years as a journalist in Belfast.

Ray Managh  Photo: © Michael Fisher

Ray Managh Photo: © Michael Fisher

IEC Cathaoirleach Gerry Curran (who has been re-elected to the post) thanked each of the members for their contribution to the NUJ.

IEC Cathaoirleach Gerry Curran presents Ray Managh with his life membership award Photo: © Michael Fisher

IEC Cathaoirleach Gerry Curran presents Ray Managh with his life membership award             Photo: © Michael Fisher

The other recipients were Paul Barry, former deputy Sports Editor of the Irish Times, whose father, a photographer, had proposed him for NUJ membership; Michael Lavery, formerly of the Roscommon Herald and later with the Evening Herald; Con Power and Albert Smith (Independent Newspapers); Gerry Smyth, a poet, who worked for The Irish Times (I know from my mother that the Smyths are particular about the spelling of their surname!!); and Jim Smith (correct!), former Editor of the Dundalk Argus.

JEWISH COMMUNITY DUBLIN 1916-23

Working on a forthcoming booklet has meant that I have missed a few daily blogs recently. It has however been interesting to see that even without any new material, my page received 146 views, mainly of my coverage in August of the Ballygawley bus bomb commemoration. To make up the quota, I am republishing a recent blog by my nephew Sam on the site he co-hosts, Come Here to Me, which is all about Dublin. He has written this interesting article on the Jewish Community in Dublin during the Revolutionary Period (1916-23) and any commentary is his:

Jewish community during the Revolutionary period (1916-23)

In the early half of the twentieth century, there were roughly 3,700 Jews living in Ireland. This represented about 0.12% of the total population. Though their numbers were minuscule, members of the the Jewish community were disproportionately active in the fight for Irish independence. Melisande Zlotover in his 1966 memoir ‘Zlotover story: A Dublin story with a difference’ assessed the overall situation by writing that Dublin’s Jews “were most sympathetic [to the fight for Independence] and many helped in the cause”.

These included:

Michael Noyk (1884–1966) Jewish Dublin-born republican activist and lawyer who most famously defended republican prisoners during the War of Independence and afterwards. In the 1917 Clare East by-election he was a prominent worker for Eamon de Valera and in the 1918 general election was election agent for Countess Markievicz and Seán T. O’Kelly. He was later involved in renting houses and offices for all the ministries established under the first Dáil. During the War of Independence he regularly met Michael Collins in Devlin’s pub on Parnell Square and helped to run the republican courts. In 1921 he was to the fore in defending many leading members of the IRA, including Gen. Seán Mac Eoin and Capt. Patrick Moran, the latter of which was executed for complicity in the shooting of British intelligence officers.

While Arthur Griffith’s early anti-Semitic comments (c.1904) are frequently recalled, it should be noted that he was an extremely close fiend of Noyk’s from 1910 onwards and he remained Griffith’s solicitor until his death in 1922. So close did Griffith’s relationship with Noyk become that his own daughter would act as a flower girl at Noyk’s wedding as Manus O’Riordan reminded us in an excellent 2008 article.

In later years, Noyk became a founder-member of the Association of Old Dublin Brigade (IRA) and a member of the Kilmainham Jail Restoration Committee. Keenly interested in sport, he played soccer in his youth for a team based around Adelaide Road and was for many years the solicitor to Shamrock Rovers. He died on 23 October 1966 at Lewisham Hospital in London. A huge crowd, including the then taoiseach, Seán Lemass, attended his funeral and the surviving members of the Dublin Brigade rendered full military honours at his graveside. He is buried in Dolphin’s Barn cemetery.

Noyk is honoured with portrait. The Irish Times,  06 Apr 1960.

Noyk is honoured with portrait. The Irish Times, 06 Apr 1960.

Robert Emmet Briscoe (1894–1969) was a Jewish Dublin-born republican and businessman who most famously ran guns for the IRA during the War of Independence. Named after revolutionary leader Robert Emmet, his father, a steadfast Parnellite called another son Wolfe Tone Briscoe.  Politicised after the Easter Rising, he attended meetings of Clan na Gael in the United States, meeting Liam Mellows, who influenced his return to Ireland (August 1917) to join the headquarters staff of Na Fianna Éireann. The clothing factory that Robert Briscoe opened at 9 Aston Quay, and a subsequent second workshop in Coppinger’s Row, both served as headquarters for clandestine Fianna and IRA activities before and during the War of Independence. Unknown to government authorities owing to his lack of prior political involvement, Briscoe engaged in arms-and-ammunition procurement and transport, and gathering of intelligence. Transferred to IRA headquarters staff (February 1920), he was dispatched by Michael Collins to Germany, where, with his knowledge of the language and country, he established and oversaw a network of arms purchase and transport. He maintained a steady flow of matériel after the July 1921 truce, and from 1922 to the anti-treaty IRA, with which he maintained links for some years after the civil war. Returning to Ireland after the 1924 general amnesty, he managed Dublin operations of Briscoe Importing, a firm already established by two of his brothers.

During the summer of 1926 the IRA raided the offices and homes of moneylenders in both Dublin and Limerick. Manus O’Riordan wrote that:

Those who were raided were indeed predominantly Jewish, but the IRA explicitly stated that their attack was on moneylending itself, “not on Jewry”.

Historian Brian Hanley summed up the situation well when he said that the IRA:

…were supported in their claims by the prominent Jewish politician in Ireland, Robert Briscoe of de Valera’s Fianna Fáil Party. He argued that he did not see the raids as anti-Semitic, and wished it to be known that he and ‘many other members of the Jewish community’ abhorred moneylending and expressed his admiration for the IRA’s attempts to end ‘this rotten trade’.

A founding member of Fianna Fáil (1926), he served on its first executive committee, and worked on constructing the party’s national constituency organisation, transporting party workers countrywide in his recently purchased motor car. Defeated in the June 1927 general election and in an August 1927 by-election occasioned by the death of Constance Markievicz, in the September 1927 general election he was elected to Dáil Éireann, becoming the first Jewish TD, and commencing an unbroken tenure of thirty-eight years, representing Dublin South (1927–48) and Dublin South-West (1948–65). Twice Lord Mayor of Dublin (1956–7, 1961–2), he made a spectacularly successful whistle-stop tour of the USA (1957) – the first of several official visits, trade missions, and speaking tours – lauded by Irish- and Jewish-Americans as Dublin’s first Jewish Lord Mayor.

JFK meeting with IRA veteran Robert Briscoe, Lord Mayor of Dublin. 26 March 1962. Credit - jfklibrary.org.

JFK meeting with IRA veteran Robert Briscoe, Lord Mayor of Dublin. 26 March 1962. Credit – jfklibrary.org.

Estella Solomons (1882–1968), who hailed from one of the longest established Jewish families in Dublin, was a celebrated artist who served in the women’s republican auxiliary movement Cumann na mBan (Rathmines branch). One of her first jobs was distributing arms and ammunition which she kept hidden under the vegetable patch at the family home on Waterloo Road. When her sister visited from London with her British Army husband,, Estella stole his uniform and passed it onto the IRA. Solomons sheltered IRA fugitives in her studio during the War of Independence, and concealed weapons under the pretence of gardening. Estella’s IRA contact was a milk delivery man, who acted as a perfect cover for moving arms and gathering information. She persuaded him to teach her to shoot, in exchange she painted a portrait of his wife. Taking the anti-Treaty side and sheltering Republicans during the Civil War, her studio was often raided by Free State troops.

Solomons was elected an associate of the Royal Hibernian Academy (RHA) in July 1925, but it was not until 1966 that Solomons was elected an honorary member. Her work was included in the Academy’s annual members’ exhibition every year for sixty years. As her parents were opposed to her marrying outside her faith, it was not until August 1925, when she was 43 and her husband 46, that she married Seumas O’Sullivan, the editor and founder of the influential literary publication Dublin Magazine.

Estelle Sollomons, self-portrait, 1926. Credit - mutualart.com.

Estelle Sollomons, self-portrait, 1926. Credit – mutualart.com.

Gerald Yael Goldberg (1912–2003), Cork-born solicitor, politician and writer, retained vivid childhood memories of the War of Independence and Civil War period, including the burning of central Cork by crown forces (during which his family had to leave their home temporarily). He attended the lyings‐in‐state of Tomàs MacCurtain and Terence MacSwiney both of whom he always revered. In later life he commissioned portraits of MacCurtain and MacSwiney for the City Hall while he was Lord Mayor. Goldberg also acquired a long-lasting respect for fellow Corkman Michael Collins after hearing him speak at a public meeting.

The Goldbergs moved to Cork after the anti‐Semitic Limerick riots, and subsequent boycott, of 1904, in which Gerald’s father Louis was assaulted. In secondary school, he and his brother got into trouble after they applied to be excused from Armistice Day (as a German pupil was excused) because the British had murdered MacCurtain and MacSwiney. In the 1930s Goldberg established a committee in Cork to help Jewish refugees from Nazi persecution; in later life he spoke bitterly of the refusal of the state to admit such refugees, and recalled how a German Jew who deserted a ship at Cobh was sent back to the concentration camps despite the Cork community’s willingness to assist him. A successful solicitor,  he was elected president of the Cork Hebrew Congregation in 1943, and remained the public face of Cork Jewry until his death.

Goldberg was elected to Cork corporation as an independent alderman for the north‐west ward in 1967 but joined Fianna Fáil in 1970, stating that it was impossible for an isolated councillor to achieve anything on the corporation. In 1977, he was elected lord mayor of Cork, the first Jew to hold this office. During his term he researched the history of the civic regalia, including the mayoral chain (he published a pamphlet on its connection with Terence MacSwiney) and the mace (leading him to make a public appeal for the British Museum to return to Cork several former Cork maces it had acquired over the years). In 1982 he openly considered leaving Ireland after he received death threats and after a fire‐bomb attack on the Cork synagogue, which were linked to hostile relations between Irish peacekeeping forces in South Lebanon and Israeli and Israeli‐backed forces.  He retired from Cork corporation in 1985. He died, at the age of 91, in Cork, on 31 December 2003, and received a civic funeral on 4 January 2004 to the Cork Jewish graveyard at Curraghkippane. Cork corporation members wore skullcaps in his honour.

Francis Rebecca ‘Fanny’ Goldberg (1893-?) and Molly Goldberg (1896-), sisters of Gerald, were active with Cuman na mBan. Dermot Keogh in his bookJews In Twentieth Century Ireland’ (1998) mentions this fact but unfortunately no further information seems to be available about their activities.

Abraham Spiro (1880 – 1951), who moved to Dublin from Lithuania at the age of two was manager of the Pearl Printing Company in Drury Street. The IRA newspaper An t-Olgach was printer by Spiro during the early 1920s and he employed Oscar Traynor (Commanding Officer of the Dublin I.R.A.) as a compositor. Natalie Wynn in her essay ‘Jews, Antisemitism and Irish Politics : A Tale of Two Narrative’ suggests that the paper was printed by Leon Spiro (Abraham’s broher?) but only after he had been “forcibly detained” in his office. This information was gleaned from a unpublished memoir written by Leon’s daughter.

Cohen brothers

George White, member of ‘C’ Company 3rd Battalion Dublin Brigade IRA from 1917 and later Quartermaster Active Service Unit from 1921, recalled in his Witness Statement (no. 956) that a Jewish man by the name of Max Cohen lived in a house that was being used an arms dump at 3 Swifts Row beside Ormond Quay in Dublin city centre. Max “knew all about the dump but said nothing about it” to the authorities. His brother Abraham, who ran an antique shop at 20 Ormond Quay, told White and another IRA member that they could use his shop anytime “as a means of escape”.

M. Cohen & Sons antiques shop. Perhaps the one mentioned in the Witness Statement. Photograph taken by Tom Kennedy. Scanned from 'A Sense of Ireland' programme.

M. Cohen & Sons antiques shop. Perhaps the one mentioned in the Witness Statement. Photograph taken by Tom Kennedy. Scanned from ‘A Sense of Ireland’ programme.

Unidentified Jew who sheltered Dan Breen

In the Witness Statement (no. 723) of Dr. Alice Barry, a close friend of many IRA leaders, she mentions that Dan Breen was taken in by a Jewish person while on the run in Fernside, Killiney, South Dublin. In October 1920, Breen, who had badly cut his legs while escaping from the Black and Tans, “wandered round looking for refuge” until he eventually found it in the home of a unnamed Jewish person who also “provided him with dry clothing”. (Unfortunately and somewhat ironically, Breen took a very strong pro-Axis side and had a portrait of Adolf Hitler hanging in his study until as late as 1948.)

Unidentified Jewish families who supported Sinn Fein and the IRA

Mrs. Sean Beaumont, a member of executive of Cumann na mBan, recalled in her Witness Statement (no. 385) that trained nurses within the organisation set up a bureau at 6 Harcourt Street in October 1918 to help the general public during the flu pandemic. Among those nursed “were many” Jewish families who showed their gratitude by providing financial support for the Republican movement and voting for Sinn Fein candidates in the years ahead.

General references

There are several other more general references to the Jewish community in the recently digitised witness statements.

After taking part in the Easter Rising, Captain Sean Kavananagh (WS 1670) mentions that the soldier who told him that were about to be deported to England was a “Dublin Jew” called Lieutenant Barron.

Thomas Pugh of the Irish Volunteers recalled in his Witness Statement (397) that after taking part in the Easter Rising, he was taken to Portobello Barracks where the person in charge of taking personal belongings from the prisoners was:

a Jew whom I knew very well. He was one of the Barrons, the furniture people. I am sure he knew me well, because I saved him once from a beating in the football grounds in Inchicore.

Further afield, a Jewish cinema owner in New York apologised to local Irish Republicans after his cinema inadvertently showed a British propaganda film called ‘Whom the gods would destroy’ (1916). Sidney Czira (Secretary of Cumman na mBan, New York) wrote in her Witness Statement (no. 909) that the film portrayed Irish volunteers like they were of “half-ape type”. As a result, a group of Republicans visited the cinema and explained the situation to the Jewish owner. Czira wrote that he was “quite unaware of its significance … apologised … and withdrew it at once”.

Another side note is that the badly damaged Hotel Metropole on O’Connell Street was bought after the Rising by Jewish cinema owner Maurice Elliman who turned it into the successful Metropole cinema.

In the summer of 1919, a successful raid took place on the Rotunda which was being used at the time as the temporary General Post Office. A number of IRA men were involved in the action in which “very valuable and confidential documents” destined for Dublin Castle were seized. Afterwards, a number of sympathetic postman overheard a colleague say to someone that “I know the fella in charge of this raid”. He was referring to Oscar Traynor who he knew through playing football. The postman in question was described by Traynor (WS 340) as an “English Jew” who lived on the North Circular Road . This “cockney Jew” was visited by a number of IRA men and was told to keep his mouth shut or else. As a result of being threatened, he decided to move back to London.

That same year, a group of Tipperary IRA men seized a gun from a Jewish businessman who ran a skin and hide business at the back of Connolly Street in Nenagh. Volunteer Edward John Ryan (WS 1392) was approached by a comrade who was employed in the business. In the raid, both the volunteer (to make not look like an inside job) and his Jewish employer were tied up. No-one was harmed in the robbery.

In the statement of Mary Flannery Woods (no. 624) of Cumann na mBan, she mentions that she bought a safe house for Michael Collins on Harcourt Terrace in 1920 that was owned by a Jew called Mr. Cantor. Seamus O’Connor and not Michael Noyk was the solicitor involved. In this house, a special hidden cupboard was built for arms and ammunition.

Dr. Josephine Clarke (no. 699), member of Cumann na mBan, wrote that her and her husband Liam moved into an “unfurnished flat in a Jew’s house in Sydenham Road” in roughly the same period.

In July 1920 the IRA shot dead Unionist landowner Frank Brooke, the Chairman of the Dublin South Eastern Railways, inside his office at Westland Row train station. Brooke was a secret member of the British Military Advisory Council and was signaled out specifically by Michael Collin’s Squad. Laurence Nugent (Lieutenant ‘K’ Company, 3rd Battalion Dublin Brigade IRA) remarked in his Witness Statement (no. 907) that they had planned to shoot another director of the Railways but spared him after a Jewish woman ‘Miss Zigmen’ asked the IRA to spare his life. Zigmen, who lived on Upper Baggot Street, was a private cigarette manufacturer and the unnamed director was a customer of hers. (Note: ‘Zigman’ may have been incorrectly transcribed as ‘Zigmen’).

In November of that year, Lieutenant Peter Ashmun Ames and Captain George Bennett were shot dead by the IRA in their rooms at 38 Upper Mount Street. Jewish solicitor Michael Noyk (WS 707) took up the defence of two volunteers including Patrick Moran from Roscommon who were arrested in the aftermath. Moran strongly protested his innocence and had a solid alibi since he was at Mass in Blackrock at the time and was seen there by several people including a member of the Dublin Metropolitan Police. Among the witnesses that Noyk called in to help Moran’s case was Joseph Mirrelson, a Jewish Turf Accountant from Dun Laoghaire. He had seen Moran on a tram on the morning of the shooting. Mirrelson knew Moran well as he used to frequent a pub in Dun Laoghaire called Lynch & O’Brien’s pub that Moran used to work in. Despite the evidence laid out that proved Moran and another Volunteer Thomas Whelan were not in the area of the shooting, both were hanged in Mountjoy Jail in March 1921.

Joe Mirrelson, Turf Accountant, Ranelagh, 1979. Credit - dublincitypubliclibraries.com

Joe Mirrelson, Turf Accountant, Ranelagh, 1979. I assume the business was taken over by a son or relation of Joseph. Credit – dublincitypubliclibraries.com

Negative references

As this was a time when both ignorant and deep-rooted anti-Semitism was more prevalent, this seeps through in a couple of Witness Statements.

Seamus MacManus, one of the founders of the National Council (pre Sinn Fein), said that most French newspapers in 1890s “were under the thumb of the Jews financially” in his Witness Statement (no. 283).

Richard Walsh talked about a pub down by the London docks that was run by a English Jew and his Irish catholic wife. A strong Irish republican, the wife would act as a messenger for the IRA and her herself and her husband allowed the pub to be used for preparing arms packages for shipment. Walsh makes an anti-Semitic off-the-cuff mark in his Witness Statement (no. 136) describing this publican as a “Jew … (that) like all his race was cute and well able to conceal his feelings”.

Not forgetting the disgusting anti-Semitic remarks from John Devoy (called De Valera “a half-breed Jew”), J. J. O’Kelly, W. J. Brennan-Whitmore and a small number of Irish republicans in this time period.

Conclusion

In a February 1944 heated Dail debate about pensions for veterans of the Easter Rising and War of Independence, the toxic, anti-Semitic TD Oliver J. Flanagan proclaimed:

We had not got the rancher, the capitalist, the financier or the Jew in the Old I.R.A. We had the plain, poor, honest people.

Flanagan had obviously overlooked (or decided to forget) the roles that Robert Briscoe, Michael Noyk, Estella Solomon, the Goldbergs and (possibly) Abraham Spiro played in the War of Independence. It is only coming to light now the small but important day-to-day roles that ordinary Jews played by sheltering volunteers like Dan Breen or offering their premises as a means of escape like the Cohen brothers.

Sadly the Jewish community has a whole were targeted in 1923 by two Republican veterans of the War of the Independence who launched their own personal indiscriminate anti-Semitic crusade – shooting four, killing two.

Manchester-born Jewish jeweller and father-of-four Bernard Goldberg (42) was shot dead in the early hours of October 31st 1923 outside his home at 95 St. Stephen’s Green after being questioned by three men.  His brother Samuel had a narrow escape. He was hit on the head but managed to run towards Cuffe Street, later discovering three bullet holes in his overcoat.

Two weeks later, a Dublin-born Jew Emmanuel ‘Ernest’ Kahn (24) of 36 Lennox Street who worked as a clerk at the Department of Agriculture, was gunned down on Stamer Street in Portobello on the evening of November 14th.  His friend David Miller (21), who lived at 25 Victoria Street, was shot in the shoulder but survived.

First hand account of the second murder. The Irish Times, 16 Nov 1923.

First hand account of the second murder. The Irish Times, 16 Nov 1923.

The principal instigators of these two murders were Free State Army officers – James Patrick Conroy and Fred Laffan – who held an anti-Semitic vendetta after a “lady friend” of Conroy’s was allegedly assaulted by a Jewish dentist. Laffan’s brother Ralph, a taxi driver, was also implicated in the murders.  James ‘Jimmy/Jim’ Conroy had a distinguished IRA career and was a member of Michael Collin’s squad.

The two Laffan brothers fled to Mexico while Conroy evaded justice (I believe he emigrated to the United States but returned to Ireland in the early 1930s). During a tetchy Dáil debate in February 1934, Sean MacEntee (Fianna Fáil Minister for Finance) accused Fine Gael TDs of knowing who killed Kahn and Goldberg saying “The man who committed these crimes, as I have already stated tonight, is a member of the Blue Shirt organisation at the present moment. He was allowed to go free even though those charged with the administration of the law at that time were well aware of the crimes he had committed”.

Postscript

Other Irish Jews became active in Irish left-wing and republican politics in the 1930s most notably Maurice Levitas and Harry Kernoff.

Communist ‘Morry’ Levitas who was born 8 Warren Street, Portobello, Dublin fought against Mosley’s Blackshirts during the Battle of Cable Street in London in 1936 and the following year joined the British battalion of the XV (International) Brigade to fight against Franco in Spain. First seeing action in the final days of the unsuccessful defence of Teruel, he was among the troops forced to retreat from Belchite on the second day of the massive fascist Aragon offensive (March 1938). After three weeks of costly engagements and repeated withdrawals, he was in a company (which also included IRA veteran Frank Ryan) that was captured by a Italian fascist unit at Calaceite (March 1938). His excellent entry in the Dictionary of Irish Biography describes his following 11 months of hell:

Imprisoned at San Pedro de Cardeña, near Burgos (April 1938–January 1939), in addition to interrogations, arbitrary beatings, and mock executions, he was subjected to the indignity of pseudo-scientific measurements by visiting German Gestapo agents testing Nazi theories regarding the physiognomy of Jews and ‘social deviants’. Transferred to San Sebastian prison (January–February 1939), he was among sixty-seven republicans released in a prisoner exchange sought by Mussolini. Soon after returning home to London, he visited Dublin to address a public meeting calling for the release of Ryan (27 February).

He later served in India and Burma with the Royal Army Medical Corps and then worked as a plumber, teacher and lecturer. In his later years Levitas renewed ties with his native Dublin, attending functions honouring the Irish who served in Sapin, and the unveiling of the statue of James Connolly in Beresford Place in 1996. He died 14 February 2001 in London. His brother Max Levitas, born in Dublin in 1915, was a Communist councillor in London borough of Stepney for twenty-five years and continues to be engaged in anti-Fascist activity.

Harry Kernoff, born in London in 1900, moved to Dublin at the age of 14. After winning the Taylor scholarship in 1923 he became a full-time day student, encouraged by established painters such as Seán Keating and Patrick Tuohy . He showed a particular interest in drawing Dublin, and was one of the few artists at work in the city whose work demonstrated a social conscience and awareness of the plight of the unemployed, as revealed in such paintings as ‘Dublin kitchen’ (1923). Strongly left-wing, he was a member of the Friends of Soviet Russia and his woodcuts were often used in republican and labour newspapers in the 1930s and 1940s.  He designed the masthead of the communist weekly the Irish Workers’ Voice, was part of a delegation to visit Leningrad and Moscow (1930) and was involved in anti-fascist campaigns in Dublin. One of his most famous woodcuts is the (below) 1936 one of James Connolly. Thirty-four years previously Connolly had issued an election leaflet written in the Yiddish language to the Jewish voters of Dublin’s ‘Little Jerusalem’. Kernoff lived at 1 Stamer Street, Portobello, in the heart of this area, for the last 40 years of his life. He passed away in 1974.

Harry Kernoff signed woodcut of James Connolly (1936). Credit - .icollector.com

Harry Kernoff signed woodcut of James Connolly (1936). Credit – .icollector.com

References: Dictionary of Irish Biography (Noyk/Briscoe/Solomons/Levitas/Kernoff); Bureau of Military Witness Statements; Saoirse Feb 2003 (Solomons); Natalie Wynn, ‘Jews, Antisemitism and Irish Politics : A Tale of Two Narrative’ (2012); Dermot Keogh ‘Jews In Twentieth Century Ireland (1998)’.

WEB SUMMIT CHATS

Web Summit Main Stage  Photo: © Michael Fisher

Web Summit Main Stage Photo: © Michael Fisher

It was all very high-tech as around 10,000 visitors gathered in Dublin for the Web Summit at the RDS. Another 600 were at an IATA travel conference in the National Conference Centre. So imagine how the restaurants, pubs and similar businesses that open late to cater for guests felt when they were faced with overnight water restrictions amounting to a cut in supply between 8pm and 7am.

It’s because the infrastructure in place is old and needs to be replaced. Dublin City Council says that the extent of the leakage is largely owing to the age of the network, with an estimated 1200 kilometres of the network being over 50 years old. In addition to this demand can rise during a cold spell if taps are left running in an effort to prevent frozen pipes. The normal demand for water in the Dublin Region is 540 million litres per day. However during a cold spell demand can increase to a staggering 636 million litres. This means that the treated reservoirs such as the one at Ballymore Eustace in County Wicklow empty at a much faster rate than they can fill, which leads to a depletion of treated water storage reserves.

Anyway the main problem for delegates at the RDS appeared to be the breakdown in the wifi system upon which each visitor is so dependent to do business. It seems to have crashed temporarily owing to the large numbers attempting to sign in. Despite these difficulties, I’m sure plenty of networking was done and new contacts were made with potential investors for startups.

Invest Northern Ireland stand at Web Summit in RDS  Photo: © Michael Fisher

Invest Northern Ireland stand at Web Summit in RDS Photo: © Michael Fisher

One of the stands I visited was that of Invest Northern Ireland. Another was representing Berlin as a city to do business.

WEB SUMMIT BUSINESS

Web Summit, RDS  Photo: © Michael Fisher

Web Summit, RDS Photo: © Michael Fisher

The main hall at the RDS complex in Dublin was a hive of activity during the Web Summit. Presentations being made on various stages. I immediately noticed the stands of some major players in the world of business: Microsoft, PayPal, Verizon, Bing and a host of others including media players such as the Irish Times and RTÉ. But walking through to the next hall is where I found the real activity and what I thought was the most interesting part of the event.

Presentations at the Web Summit  Photo: © Michael Fisher

Presentations in the Startup Village Photo: © Michael Fisher

This was the Alpha Startup Village. No large stands as in traditional exhibitions. Instead, each exhibitor was standing beside a board which had a poster with the name and some details of the company and on the wooden shelf underneath, there was room for one laptop. This is where new companies are born and bred. These exhibitors are young entrepreneurs all with different apps to promote and looking for investment. Much of their time here is spent networking and when two of them separately stopped me for a chat (seeing my media badge), I was happy to speak to both companies about their stories.

Gaylord Roukine of ilooove.it  Photo: © Michael Fisher

Gaylord Roukine of ilooove.it Photo: © Michael Fisher

Interested in mountain climbing? Then Gaylord Loukine from Namur in Belgium has just the app for you: http://climbing.ilooove.it/ is designed to help climbers around the world to share their passion for the sport, to discover new spots for climbing and also to make new friends in what they hope is an inspiring way.

Bastien Sannac of meludia.com   Photo: © Michael Fisher

Bastien Sannac of meludia.com Photo: © Michael Fisher

The other app I was introduced to promises a new perspective to help you understand music. Bastien Sannac is the founder of http://www.meludia.com/login which employs twelve people and is based in Paris.

WEB SUMMIT: DUBLIN

RDS Dublin: venue for Web Summit Photo: © Michael Fisher

RDS Dublin: venue for Web Summit Photo: © Michael Fisher

Entering the Royal Dublin Society headquarters in Ballsbridge I wasn’t sure what to expect from the web summit. Pre-summit publicity suggested there would be 10,000 people from over 90 countries gathered in the various halls, a big increase on the few hundred at the start four years ago when Paddy Cosgrave and his team began work. Was it just a big PR exercise for Irish and international technology companies, or was it a chance for app developers, many of them young graduates, to do business?

Main Stage at the Web Summit, RDS  Photo: © Michael Fisher

Main Stage at the Web Summit, RDS Photo: © Michael Fisher

It was certainly a major logistical exercise and the hotels and restaurants in Dublin are no doubt benefitting from the influx, although having to cope with water supply problems doesn’t do much to promote the interests of the capital. I noticed there was another major gathering in town: at the National Conference Centre, the International Air Travel Association is holding the third World Passenger Symposium with some 650 delegates. So Dublin is certainly attracting plenty of business.

Múirne Laffan, Head of RTÉ Digital  Photo: © Michael Fisher

Múirne Laffan, Head of RTÉ Digital Photo: © Michael Fisher

The RDS complex was bustling with summit participants packed into various halls. It was late on that I discovered the impressive main stage, where An Taoiseach rang the bell for the US NASDAQ stock exchange this afternoon, the first time it had been opened on Irish soil. I found the RTÉ lounge in a good spot in the main hall. Managing Director RTÉ Digital Múirne Laffan was there and she had been one of the speakers this morning on digital marketing, examining the topic ‘Content is King’. I notice there was some criticism on social media about the low percentage of female speakers at the summit.

(to be continued)

JONATHAN AITKEN ON THATCHER

Jonathan Aitken at the Belfast Festival at Queens Photo: © Michael Fisher

Jonathan Aitken at the Belfast Festival at Queens Photo: © Michael Fisher

Jonathan Aitken spent over an hour regaling the large audience in the Great Hall at Queen’s with his insights into the political career of the late Margaret Thatcher. But perhaps more interesting were his anecdotes about the family life of the Thatchers, based mainly upon his three year relationship with Carol Thatcher in the 1970s.

Stephen Walker interviewed Jonathan Aitken at the Belfast Festival Photo: © Michael Fisher

Stephen Walker interviewed Jonathan Aitken at the Belfast Festival Photo: © Michael Fisher

BBC reporter Stephen Walker guided him expertly through his 700-page book,  Margaret Thatcher: Power And Personality, published by  Bloomsbury Continuum. This is one of the shorter works on the former Prime Minister and is some 200 pages less than Volume One of Charles Moore’s authorised biography ‘Not for Turning’, published after her death in April.

Margaret Thatcher by Jonathan Aitken Photo: © Michael Fisher

Margaret Thatcher by Jonathan Aitken Photo: © Michael Fisher

Extracts from Aitken’s work have already been serialised in the Daily Mail and if you want some idea of the stories the former Conservative MP told in Belfast on Sunday, fresh from appearances in Ilkley and Guildford, then you can read them here and here.

Audience at the Great Hall in Queen's University Photo: © Michael Fisher

Audience at the Great Hall in Queen’s University Photo: © Michael Fisher

From his first meeting with Margaret Thatcher when she was a junior shadow minister in the mid 1960s, during her time as leader of the Opposition when he was a close family friend, and as a Member of Parliament throughout her years in power, Aitken had a special insight into many of the public and private happenings in the life of the woman dubbed ‘The Iron Lady’.

Jonathan Aitken with his books Photo: © Michael Fisher

Jonathan Aitken with his books Photo: © Michael Fisher

Aitken told the festival audience that in her heart Mrs T was a unionist but her head told her that a political arrangement over Ireland was worth pursuing and this led to the signing of the Anglo-Irish agreement in November 1985. Just a few months after surviving the IRA Brighton bomb during the Conservative party conference in October 1984, she set up a back channel for contacts with the Sinn Féin leadership. Central to reaching the Agreement was the relationship between Robert Armstrong, her Cabinet Secretary and his Irish counterpart Dermot Nally.

Jonathan Aitken at the Belfast Festival at Queen's  Photo: © Michael Fisher

Jonathan Aitken at the Belfast Festival at Queen’s Photo: © Michael Fisher

From his unique vantage point, Aitken shed new light on many crucial episodes of Thatcherism, including her ousting of Ted Heath, her battles with her Cabinet, the Falklands War, the Miners’ Strike, and the build up to the plotting within the Conservative Party that brought about her downfall. In this biography, Aitken has used material from his own diaries and a wealth of extensive research including ninety interviews with statesmen like Mikhail Gorbachev, Henry Kissinger and Lord Carrington to many of her No.10 private secretaries and personal friends. His book conveys a fascinating portrait of the most influential political leader of post-war Britain, who was liked by many but also loathed especially by republicans in Northern Ireland because of her stance over the hunger strikers.

Jonathan Aitken at the Belfast Festival  Photo: © Michael Fisher

Jonathan Aitken at the Belfast Festival Photo: © Michael Fisher

Aitken has written a dozen books. In 1997 he lost his Parliamentary seat. Then he faced a charge of perjury and perverting the course of justice, and in 1999 was jailed for 18 months. He tells an interesting story about the time he left prison and soon afterwards received a welcome invitation to join Denis Thatcher for lunch at his London club.

Looking at Aitken’s own life story is also interesting. He was born in Dublin and Taoiseach Éamonn de Valera attended his christening in 1942. Aged four, he was admitted to Cappagh hospital for treatment for tuberculosis and spent a few years there in the care of the nuns as an in-patient until the age of seven when he was able to rejoin his parents in England (Wikipedia).

One of Jonathan’s twin daughters, Victoria, flew over from London to hear his talk and this was her first visit to Belfast. I hope she got to see Wish, the new face of the city, created specially for the festival, as she departed from the City airport.

DAMN THE CIRCUS

Damn the Circus in Belmont Park Photo: © Michael Fisher

Damn the Circus in Belmont Park Photo: © Michael Fisher

One of my duties as a volunteer with the Belfast Festival at Queens was to attend the performance by Tumble Circus called ‘Damn the Circus’ at Belmont Park in East Belfast, which was on for two nights. The following weekend it moved across to the Falls Park in the West of the city, an example of the Festival organisation seeking to reach out into other parts of Belfast apart from the leafy suburbs of the Malone Road. I enjoyed the performance by the three members of this far from traditional circus.

Damn the Circus Tent in Belmont Park Photo: © Michael Fisher

Damn the Circus Tent in Belmont Park Photo: © Michael Fisher

This was not one of the events for which I was blogging. The volunteer that evening was Colin Hassard,  a Festival Ambassador, and I reproduce his review here from the BFQ Festival Blog page:

“The small-top in Belmont Park provided the setting for Damn The Circus, a three person performance of tragic-comedy theatre set behind a dazzling and distinctive display of circus and artistic spectacle.  From the opening scene of acrobatic strength, poetical monologue, and foreboding harp, we were aware that this would not be the circus as we know it.

As narratives of family, life and reality were subtly explored, the audience learnt how each performer aspires to something bigger and better, from joining Cirque Du Soleil, to working with Enya – all portrayed with comic frustration at their current situation.

Damn the Circus in Belmont Park Photo: © Michael Fisher

Damn the Circus in Belmont Park Photo: © Michael Fisher

The show was interwoven with familiar songs by artists such as Snow Patrol and Johnny Cash, yet these propelled the narrative and to have Nirvana’s Smells Like Teen Spirit eerily plucked by harpist Ursula Burns as the acrobats taunted gravity high above the stage, only added more tension.

Acrobats Ken and Tina clearly had a deep and trusted understanding, yet it was Tina’s solo aerial silk performance that provided a personal highlight. As she wriggled and twisted through the red curtains only to repeatedly tumble and be caught at the last moment, you could hear the audience’s gasps before their enthralled laughter.

Damn the Circus in Belmont Park Photo: © Michael Fisher

Damn the Circus in Belmont Park Photo: © Michael Fisher

Damn the Circus was a unique and refreshing take on circus traditions and provided wonderful entertainment”.

Damn the Circus at the Belfast Festival at Queen's

Damn the Circus at the Belfast Festival at Queen’s

BARN DANCE FOR LIONS

Barn Dance Photo: © Michael Fisher

Barn Dance Photo: © Michael Fisher

Most Lions Clubs have a ‘tail twister’, an officer and the ‘pep master’ of each Club. His duties (I think I should add the alternative ‘her’ as well) are “to instil enthusiasm and good fellowship in the meetings, and to keep harmony. (S)He is empowered to impose, as well as collect, fines from the members. There shall be no appeal from the tail twister’s decision in imposing a fine, and he (she) may not be fined except by the unanimous vote of the members present.

Meet the new 'tail twister' of Monaghan Lions Club...!  Photo: © Michael Fisher

Meet the new ‘tail twister’ of Monaghan Lions Club…! Photo: © Michael Fisher

Well it looks like Monaghan Lions Club who have several female members just got themselves a new tail twister, judging by the fellow I saw standing beside the stage at their barn dance tonight (Saturday 26th October) in Tyholland Community Centre. I think he said his name was Wayne….

Burger and a hat all for €7: good value in a good cause! Photo: © Michael Fisher

Burger and a hat all for €7: good value in a good cause! Photo: © Michael Fisher

Anyway he was one of the many all dressed up in cowboy/cowgirl attire. The appropriate dress for the night appeared to be jeans and checked shirts for the men and a variety of outfits for the ladies, most of whom brought along hats. The Club was also selling a variety of hats for €4 for those who wanted to enter into the spirit of the occasion.

The Outlaws Photo: © Michael Fisher

The Outlaws Photo: © Michael Fisher

It was an enjoyable evening dancing to The Outlaws as Monaghan Lions Club revived their barn dance fundraiser in aid of Club charities. The Tyholland Centre doubled up as the barn and a marquee was erected alongside to serve as the ‘saloon’, serving drinks and burgers. Plenty of prizes in the raffle as well, including a number of pairs of tickets for forthcoming Ireland rugby international matches.

Aidan Clerkin at Monaghan Lions Club Barn Dance Photo: © Michael Fisher

Aidan Clerkin at Monaghan Lions Club Barn Dance Photo: © Michael Fisher

On arrival, Aidan Clerkin was on stage, providing a variety of country and Irish music and doing his best to encourage them to dance, but it was a while before the crowd found their dancing shoes. The main act was The Outlaws from Castleblayney in County Monaghan. They comprise of Sean Hughes, JJ McCourt, Brian Walsh and brothers Craig and Adam Davis, who are both grand nephews of Irish country legend Big Tom McBride.

Michael Fisher, Belfast Lions Club supporting the Monaghan Lions event Photo: © Evelyn Fisher

Michael Fisher, Belfast Lions Club supporting the Monaghan Lions event Photo: © Evelyn Fisher

Plus brilliant fiddle playing by Diane Traynor. who brings her own style and glamour to the band and her fiddle playing skills and sweet singing range enhance the band’s appeal. It’s just a pity that when they came to perform a ‘Siege of Ennis’ dance that there were only a few takers.

Monaghan Lions Club carry out projects throughout the year in service of the community. At Christmas, they hold an annual food appeal in conjunction with St Vincent de Paul. The Club meets on the first and third Monday of every month at 9pm at the Westenra Arms Hotel in The Diamond, Monaghan.

Monaghan Lions Club Poster

Monaghan Lions Club Poster

DERVISH

Cathy Jordan of Dervish  Photo: © Michael Fisher

Cathy Jordan of Dervish Photo: © Michael Fisher

Just back from a great concert by Dervish at the Elmwood Hall in Belfast as part of the 51st Ulster Bank Belfast Festival at Queens. One of the highlights came at the end as part of the encore demanded by the audience. Cathy Jordan sang unaccompanied the ballad Slieve Gallion Brae, a song about a townland in the Sperrin mountains in County Derry, near Ballinascreen. Great that she was able to do so with the audience maintaining complete silence as they listened to her voice.

It is a song that Tommy Makem revived and one that Cathy reproduces on her website.

SLIEVE GALLION BRAE (traditional)

My name is Joe McGarvey as you might understand

I come from Derryginnet and I own a farm of land

But the rents were getting higher and I could no longer pay

So farewell unto ye bonny, bonny Slieve Gallion Brae

As I went a walking one morning in May

To view your fair valleys and your mountains so gay

I was thinking of your flowers all going to decay

That grow around ye bonny, bonny Slieve Gallion Brae

Oft times have I wandered with my dog and my gun

And travelled your valleys for joy and for fun

But those days are gone forever and I can no longer stray

So farewell unto ye bonny, bonny Slieve Gallion Brae

Oft times in the evenings and the sun in the west

I roamed hand in hand with the one I love best

But the dreams of youth have vanished and I am far away

So farewell unto ye bonny, bonny Slieve Gallion Brae

It is not the want of employment at home

That caused the poor sons of old Ireland to roam

But the rents are getting higher and I can no longer pay

So farewell unto ye bonny, bonny Slieve Gallion Brae

Farewell to old Erin, a land that is so green

To the Parish of Lissen and the cross of Ballinascreen

May good fortune shine upon you when I am far away

And a long farewell to bonny, bonny Slieve Gallion Brae

BFQ: PHILIP HAMMOND BLACKBIRD

Cathal Breslin, Philip Hammond and Sabrina Hu Photo: © Michael Fisher

Cathal Breslin, Philip Hammond and Sabrina Hu Photo: © Michael Fisher

The imaginary musical trill of the blackbird filled the Harty Room on Sunday. Not the bird itself but rather the beautiful sound of the flute played so well by Sabrina Hu, accompanied by her husband Cathal Breslin on piano. They were performing a new work by Belfast composer Philip Hammond, entitled ‘An Londubh’, the Irish word for blackbird. It was part of the 51st Ulster Bank Belfast Festival at Queen’s and was staged by the Belfast Music Society as part of their Northern Lights Mini-Fest.

Cathal Breslin, Professor of Piano, University of Memphis  Photo: © Michael Fisher

Cathal Breslin, Professor of Piano, University of Memphis Photo: © Michael Fisher

Cathal had the score stored on his iPad and with wifi technology was able to flick effortlessly from one page to the next. There was an interesting contrast with a similarly named piece (‘Le Merle Noir’ by Messiaen) which Cathal and Sabrina played first. Philip Hammond explained that his composition was intended as a companion piece for the 20thC Frenchman’s work. But his starting point was very different.

Philip Hammond explains his new work: An Londubh  Photo: © Michael Fisher

Philip Hammond explains his new work: An Londubh Photo: © Michael Fisher

Hammond told the audience that rather than the real birdsong, he created a fanciful play between flute and piano , with what he thought a blackbird might sing, if it was so inclined. The main origin of the piece is an ancient Irish air, arranged by Edward Bunting. It was published in the third volume of such arrangements in 1840. He has included it note for note at the end of the work, a fusion that works well. The other influencing factor for Hammond comes in the shape of a poem, written by Dr William Drennan, the United Irishman and friend of Bunting. Drennan wrote it in the grounds of Cabin Hill, near Stormont, when his sister lived there. There is a spot in the grounds called the Drennan stone where he is believed to have rested to seek inspiration. An interesting connection is that Hammond is a former music teacher at Cabin Hill, when it was the preparatory department for Campbell College.

Sabrina Hu  Photo: © Michael Fisher

Sabrina Hu Photo: © Michael Fisher

Cathal Breslin is from Derry and met Sabrina when they were both studying in Manchester. They are now married, with two young children, and are based in the United States, where Cathal is Professor of Piano at the University of Memphis, Tennessee. They have performed together internationally since 2001 in many of the world’s main concert halls. Five years ago they founded and developed the Walled City Music Festival in Derry.

Belfast Music Society Northern Lights Mini-Fest

Belfast Music Society Northern Lights Mini-Fest   Photo: © Michael Fisher

Their performance began with A Sonata for Flute and Piano by Poulenc, followed by a piece for flute by Ravel: a habanera, which is a  Cuban dance. Cathal who said he was always interested in the correlation between words and music then played another Ravel piece for solo piano, Ondine. There was a lovely mixture here of loud and soft notes. Sabrina played a piece composed by Debussy for solo flute, Syrinx, named after a nymph of Greek mythology. Then came the two blackbird pieces, with particular interest in the composition by Philip Hammond.

Cathal Breslin & Sabrina Hu Photo: © Michael Fisher

Cathal Breslin & Sabrina Hu Photo: © Michael Fisher

The second part of the programme consisted of a Brazilian traditional piece arranged for flute and piano: Choros. The duo followed with Piazzolla’s History of the Tango, a fascinating journey through time as they described it. The Argentine composer brought the tango from the world of the night club to the concert hall. The first part was set in a bordello around 1900, followed by a café in 1935 when the mood becomes more romantic and atmospheric, for listening rather than dancing. Part three is a 1960s night club when the tango merges with Bossa nova. The fourth and final part is set in the modern day concert hall setting of classical music. A very enjoyable performance.