WILLIAM CARLETON

08/04/2013 by borderroamer

William Carleton

Donaghmore Historical Society in County Tyrone concluded its season of talks in The Heritage Centre on Monday, 8th April, when Michael Fisher gave an illustrated talk entitled, “From Prillisk to Beechmount: a Tyrone man’s journey to Dublin: the story of William Carleton.” Born and reared as a Catholic in the Clogher Valley , where his father was a small farmer, Carleton has never had the recognition he deserves, either in his native area or in the ranks of Irish novelists. He spent most of his adult life in Dublin , where his works were written, including the famous “Traits and Stories of the Irish Peasantry,” the first such significant stories to be published in the English language in Ireland and Britain . When he settled in the capital city, he came under the influence of a Protestant clergyman, who persuaded him to change his religion in order to gain a living as a writer. His stories describe the society he grew up in, which often featured sectarian confrontation between orange and green factions, such as “The Party Fight and Funeral.”

Michael Fisher Talk

Michael Fisher is Director of the William Carleton Society’s international summer school. A freelance journalist, he retired from RTÉ. News in Belfast in September 2010, having joined the broadcaster in Dublin in 1979. He is a former BBC. News trainee in London and worked in Birmingham as a local radio reporter. A native of Dublin , Michael has family connections with County Tyrone as well as County Monaghan . He is a graduate of UCD. and QUB., where he completed an MA. in Irish Studies in 2001, including a dissertation on The Big House in Counties Fermanagh and Monaghan. He was introduced to the works of Carleton during his time as a student at University College in Dublin by one of his lecturers on Anglo-Irish literature, Maurice Harmon, who is now a patron of the William Carleton Society.

Michael FisherTalk

Those who remember Michael’s soft modulated, dulcet tones from his days on our television screens will have a chance to see and hear him in person in The Heritage Centre on Monday night at 8 o’clock, when he will be telling the story of a County Tyrone writer, who, surprisingly enough, is virtually unknown in this part of the county.

Carleton’s Cottage, Springtown

William Carleton 1794 – 1869

William Carleton was born the youngest of a family of 14 children in the townland of Prolusk (‘Prillisk’ in his autobiography) near Clogher in Co.Tyrone, on Shrove Tuesday, 20th February,1794. Although there is little suggestion that the Carletons were upwardly mobile, they did move house frequently within the Clogher area and were established at the townland of Springtown when William left the family home. Carleton obtained his education at local hedge schools which he was to write about, fictionalising the pedagogue Pat Frayne as the redoubtable Mat Cavanagh. From other retrospections of his home district, we learn of Carleton’s delight in his father’s skill as a seanachie and the sweetness of his mother’s voice as she sang the traditional airs of Ireland; of his early romances- especially with Anne Duffy, daughter of the local miller; of Carleton the athlete, accomplishing a ‘Leap’ over a river, the site of which is still pointed out; of the boisterous open air dancing. Initially an aspirant o the priesthood, Carleton embarked in 1814 on an excursion as a ‘poor scholar’ but, following a disturbing dream, returned to his somewhat leisurely life in the Clogher Valley before leaving home permanently in 1817. Journeying via Louth, Kildare and Mullingar, he found work as a teacher, librarian and, eventually, as a clerk in the Church of Ireland Sunday School Office in Dublin. In 1820, he married Jane Anderson who bore him several children. By 1825, Carleton. who had left the Roman Catholic Church for the Anglican Church of Ireland, met a maverick Church of Ireland cleric, Caesar Otway, who encouraged him to put his already recognised journalistic talents to such prosletysing purposes as satirising the attitudes reflected in pilgrimages to ‘St Patrick’s Purgatory’ at Lough Derg, a totemic site in Irish Catholicism. Further writings in the Christian Examiner & Church of lreland Magazine led in 1829 and 1833 to the publication of what is arguably Carleton’s best known work: Traits and Stories of the Irish Peasantry. In these stories Carleton returned imaginatively to the Clogher Valley, drawing on comedy, farce, melodrama and tragedy to present a tableau of the life of the country people of the north of Ireland before the famines of the 1840s altered their pattern of existence for ever. Carleton went on to respond to the challenge of the novel, in his tirne a comparatively undeveloped genre amongst Irish writers, and published Fardorougha the Miser (1839), Valentine McClutchy (1845), The Black Prophet (1847), The Emigrants of Aghadarra (1848), The Tithe Proctor (1849), The Squanders of Castle Squander (1852). In these works he addresses many of the issues affecting the Ireland of his day such as the influence of the Established Church and landlordism, poverty, famine and emigration but does so with an earnestness that regrettably often caused his more creative genius to be swamped in a heavy didacticism. Carleton continued to write in a variety of forms, including verse, until his death in 1869, but critics are agreed that the quality of the work is uneven. Despite his prolific output, Carleton never really made a living from his writings and welcomed the pension voted to him by the government following the advocacy of such contrasting figures as the Ulster Presbyterian leader, Dr Henry Cooke, and Paul Cardinal Cullen, Catholic Archbishop of Dublin. His last project, uncompleted when he died, was his Autobiography, which was re-issued through the efforts of the Summer School Committee in 1996. Carleton was buried in the cemetery at Mount Jerome in Dublin and over his grave a miniature obelisk records the place “wherein rest the remains of one whose memory needs neither graven stone nor sculptured marble to preserve it from oblivion”. (Summer School handbook 1998)

Donaghmore Sunset

MONAGHAN GO UP!

07/04/2013 by borderroamer

Dick Clerkin: A Helping Hand

Monaghan 3-16 Antrim 0-13

This was a convincing performance by Monaghan at St Tiarnach’s Park in Clones, which earned the Farneymen promotion to division two of the Allianz National Football League next season. But they were up against an Antrim side which at times lacked in conviction and was too reliant on Paddy Cunningham. The Lámh Dhearg man scored eight of their points, half of them from frees.

The visitors had a great chance in the first minute, but Cunningham’s shot at goal from close range was blocked by an effective Monaghan defence. The ball was cleared up the field and a pass found Christopher McGuinness in the perfect spot to rattle the Antrim net, giving substitute keeper Chris Kerr little chance.

Job well done

Monaghan added two points in the next four minutes, then Cunningham got the first of his frees, making it 1-2 to 0-1. Both sides exchanged further scores then Monaghan started to apply the pressure, adding four points, one of them a beautifully taken one from long range by Dick Clerkin. Two more Cunningham frees for the visitors had made it 1-7 to 0-03 after 25 minutes, when Antrim got their first score from play through Michael Pollock, then each side added a further point. Then with the break approaching Kieran Hughes scored Monaghan’s second goal, 2-8 to 0-5. Cunningham and Paul Finlay for Monaghan were both on target with frees and a neatly-taken point by St Gall’s half forward Kevin Niblock rounded off the first half and meant that Antrim still had a slim chance of turning things round in the second, although trailing by eight points,

Monaghan 2-9 Antrim 0-7 Half Time

Antrim got off to a good start in the second half, but Monaghan were more than capable of dealing with any of their attacks and McGuinness almost grabbed his second goal but was penalised for over-carrying. It was left to his colleague Darren Hughes to assure a Monaghan win with a nice three-pointer in the 49th minute, 3-11 to 0-9.

Conor McManus point

Eoin Duffy added a good point at the end of an attack involving Conor McManus, Owen Lennon and Clerkin, but Antrim hit back with three in a row – two from Cunningham and one by Michael Pollock. McManus kicked a couple of points from frees after fouls on Kieran Hughes and Stephen Gollogly. Andy McClean rounded off the scoring for the Saffrons, but Monaghan were deserving winners. Hughes though received a second yellow and therefore a red card before the final whistle, so Monaghan ended the game with fourteen players.

The two teams will face each other again in the Ulster senior football championship in June. Monaghan boss Malachy O’Rourke said afterwards he thought the game at Casement Park will not be as easy:-

“We are delighted to get the win and secure promotion. We knew Antrim would be tricky opponents but we got a good start and kept the lead. Antrim battled hard but we got the goal at the right time – they had a lot of players missing and it will be a completely different team when we meet them in the championship”, he said.

Monaghan boss Malachy O’Rourke

Before then, the Farneymen will take on Meath in the division three final at Croke Park in Dublin on April 27th. One thing that annoyed me about the Antrim side this afternoon (which did not include any players from my Belfast parish of St Brigid’s). As Amhrán na bhFiann was being sung before the throw-in, some of the Saffron players were jumping up and down, doing their stretching exercises. One of them broke away from the bunch before the national anthem had even ended. Very disrespectful, in my opinion, and not something the Tyrone management or I’m sure any other county would encourage.

ROSE ESTATE

05/04/2013 by borderroamer

Sunset at Cornagilta: Photo © Michael Fisher

The sun was setting around Bragan as a crowd of over fifty people gathered at the former National School at Cornagilta, a few miles from Tydavnet, for an evening devoted to the history of what was once part of the Rose estate. Since 2001 when the late Canon Jackie Gilsenan was Parish Priest of Tydavnet, a group of locals has been working hard to preserve the building, which has some interesting stonework features, particularly at the entrance.

Theo McMahon at entrance

The small rural school was one of a number in the parish, which includes Scotstown (Urbleshanny), Knockatallon, Ballinode and Tydavnet, where the old school has already been restored and now serves as a community centre. Among the visitors was the former GAA President and former Principal at Urbleshanny NS, Seán McCague from Scotstown. A former teacher and a number of former Cornagilta pupils gathered to listen to one of their own, Patsy Brady, describe the history of the school.

Seán McCague NT

The records show that the school opened on July 9th 1912 with a total of 68 pupils: 36 boys and 32 girls. It was closed in June 1984, when the roll call had reduced to 28 children. Over a 72 year period, 671 attended classes there, 351 boys and 320 girls. An important contribution to education in North Monaghan. In view of our visit there with the William Carleton Society in August 2011 during the summer school, I was interested to heard Patsy refer to a hedge school being run nearby in the 1820s.

Brian Deery at Cornagilta, 2012

Patsy described the different Masters who had run the school. They included Master (Brian) Deery, who was there from 1967 to 1978. The first was Master Luke Owens who later took over as Master at Barritatoppy school, also in the parish. In 1928 he moved into what was the service wing of Mullaghmore House between Tydavnet and Scotstown. I remember visiting Mullaghmore with a group from the Clogher Historical Society that include his son, the late Dr Cahal Owens from Clonskeagh in Dublin. He also came to Cornagilta on the same occasion, where Brian Deery was there to open the school door once again.

Late Dr Cahal Owens at Mullaghmore, 2007

The original house was demolished after being destroyed in a fire on 24th January 1925. Those at the talk recalled how some local people then children remember seeing the flames in the distance as the large house burned (it was not a “castle”, as some described it). In a useful article about the property, a fellow blogger Timothy Belmont has a description of the fire and more information about the owners of the house, now the property of the Ronaghans.

The fire razed all but the servants’ wing and the stable block behind. The family (Captain S.R. Tufts) were away visiting friends in County Tyrone and there were no servants in the house at the time. No cause for the fire was discovered. Previously the house was owned by Sir Robert Anderson, a Belfast businessman and founder of the Anderson & McAuley store in 1861, who had acquired Mullaghmore on the death in January 1907 of Gertrude Rose.

Grace Moloney, CHS & Theo McMahon

Gertrude became the landlord after her uncle James Rose died in 1841 and on reaching 21 in 1849 she inherited the holding of 2810 acres, which comprised 21 townlands. Her relative had bought the lands from the Bishop of Clogher for £20,000 in 1821. The list of townlands was discovered by Theo McMahon in a letter to the new owner written around the late 1840s by an agent in the estate. It was part of the records of a “defunct estate” that were about to be disposed of in Monaghan a number of years ago, when Theo stepped in at a fortuitous moment and rescued the documentation.

The same letter gives Gertrude, who was then quite young, some advice on how to proceed. Better to get people to work, the writer advised, at a time when tenants had great difficulty paying rents, arising from the famine. Gertrude Rose ensured that a school was built at Cornagilta in 1859, using the locally quarried limestone and sandstone. In the early 1900s the building was closed and for a time was used for storing grain. Gertrude was a progressive and forward thinking landlord. For more details see Theo McMahon’s article on the Rose estate in the Clogher Record Vol. 18, No. 2 (2004), pp. 218-256. Theo’s talk was introduced by Grace Moloney of the Clogher Historical Society.

Talk at refurbished Cornagilta School

The Cornagilta heritage committee will be holding another open day at the school on Sunday May 12th. They have done a lot in recent years to tidy up the building, make repairs and restore lighting. Their hope is that once more the school can become a centre for learning and other cultural activities.

BERLIN WALL

02/04/2013 by borderroamer

Berlin Wall East Side Gallery

“Politics is the continuation of the war (with) by other means“. That’s the slogan on this original section of the Berlin Wall. If you want to see the longest remaining stretch of the Wall, then the East Side Gallery is the place to go, in what was once East Berlin controlled by the communist DDR. I visited it in 2006 and stayed at a hotel close by at the Ostbahnhof (East station). I think it was a weekend, a Sunday morning, as there was little traffic around.

Berlin Wall East Side Gallery

But this part of the German capital’s history is under threat. The Guardian reports that construction workers backed by police have removed a section of the Wall to make way for a building project, despite calls for the site to be preserved. Residents expressed shock at the removal of part of the East Side Gallery, which followed a series of protests, including one attended by the actor David Hasselhoff. A police spokesman said there were no incidents as work had begun at about 5am to take down four sections of the wall, each about 1.2 metres wide, to make way for an access route to the planned high-rise luxury flats. The site is alongside the River Spree.

The East Side Gallery was recently restored at a cost of over £2m to the city. Construction staff removed a piece earlier this month but a public outcry halted building work, with local politicians saying they would look for a way to keep the rest of the wall intact. At least 136 people died trying to scale the wall that divided communist-run East Berlin from West Berlin.

The wall which was erected in 1961 came down on November 9th 1989. This stretch along with other bits such as former watchtowers then became a tourist attraction, with colourful paintings by 120 artists decorating the concrete slabs. Kani Alavi, head of an East Side Gallery artists’ group, said: “I can’t believe they came here in the dark in such a sneaky manner. All they see is their money. They have no understanding for the historic relevance and art of this place.”

By mid-morning the six-metre gap was covered by a wooden fence and guarded by scores of police officers. An Irishman Ivan McClostney who moved to the area a year ago from Ireland is quoted as saying: “If you take these parts of the wall away, you take away the soul of the city. This way, you make it like every other city. It’s so sad.”

Berlin Wall with TV tower in background

The developer said the removal of parts of the wall was a temporary measure to enable trucks to gain access to the building site. He said after four weeks of fruitless negotiations with city officials and owners of adjacent properties, he was no longer willing to wait. I am wondering if this reminder of the divided city will still be there the next time I go to Berlin, one of my favourite travel destinations.

VESUVIUS LEGACY

01/04/2013 by borderroamer

Pompeii and Mount Vesuvius

My summer sojourn for a fortnight on the Amalfi coast in Italy enabled me to visit Mount Vesuvius near Naples and to see the ruins of Pompeii, or at least part of the large site. Time did not permit a trip to nearby Herculaneum. But I watched with interest tonight a documentary on BBC2 about “The Other Pompeii: Life and Death in Herculaneum. Professor Andrew Wallace-Hadrill from Cambridge and Director of the Herculaneum Conservation Project presented the programme. In it he follows the scientific investigation that aims to lift the lid on what life was like in the small Roman town of Herculaneum, moments before it was destroyed when Vesuvius erupted in 79AD.

Ten miles from Pompeii, twelve arched vaults at Herculaneum were found to contain the skeletons of over 340 people, just 10% of the local population, killed by the volcano. The finds included a toddler clutching his pet dog, a two-year-old girl with silver earrings and a boy staring into the eyes of his mother as they embraced in their last moment. Those found inside the vaults were nearly all women and children. Those found outside on the shoreline were nearly all men, in what appeared to be a selfless act on their part.

The documentary based on the research unravelled a surprising story of resilience, courage and humanity, with the local population going to their deaths not in the orgy of self-destruction often portrayed in Pompeii’s popular myth, but, much more like the passengers of the Titanic, it seems the ancient inhabitants of Herculaneum put women and children first.

Carbonised wooden cradle: Pompeii Exhibition: © British Museum

The BBC programme and another related one broadcast last Wednesday on “Pompeii: The Mystery of the People Frozen in Time” coincide with the opening of a major exhibition at the British Museum. “Life and Death: Pompeii and Herculaneum” will run until the end of September and the normal admission price is £15.

Gold Bracelet in form of a coiled snake: Pompeii Exhibition: © British Museum

PAUL ROBINSON BURSARY

29/03/2013 by borderroamer

Bursary Presentation

For the past four years, the National Union of Journalists in Northern Ireland in association with the BBC and Chest, Heart and Stroke has run a bursary scheme for young journalists in memory of Paul Robinson. Paul was a producer in the BBC and NUJ member,who died in February 2009 of heart-related problems. In his memory, the BBC and NUJ jointly fund a £1,000 bursary for a journalism student in Northern Ireland. The BBC also offers a two weeks work experience placement to the winner.

This year the bursary was won by Iain McDowell from Rathfriland in County Down. His winning entry was an audio package entitled “Battling Stress: Letitia’s Story“. Former BBC and UTV journalist Letitia Fitzpatrick talked about her struggle with stress in this report into one of the biggest mental health problems in the UK. In the opinion of the two judges, it was skilfully produced. There was good content throughout and the package was well constructed and a good story, well told. The mixes of background sound were good, with decent editing and the right level of noise to ensure it was not intrusive.

Áine O’Doherty from the North West Regional College was commended for her video entry “Old Library Trust Healthy Living Centre” in the Creggan area of Derry. The judges are David Lynas of the BBC and myself, pictured above presenting an NUJ cheque for £500 to Iain along with Vanessa Elder of CHS at our branch meeting in Belfast.

Lisa Nelson 2012 award winner

The competition was open to all NVQ Level 4 students in journalism and journalism degrees students in Northern Ireland. Previous winners include Lisa Nelson (2012 for her online entry) now with the NCTJ Journalism Diversity Fund, Dean McLaughlin of the North West Regional College for a video report (2011) and David Thompson (2010) of the Universiy of Ulster at Coleraine for his audio package “Raymond’s Story“.

NUJ ACTION

28/03/2013 by borderroamer

BBC Belfast Strike

This was a busy day for NUJ activity. First, union members at Broadcasting House in Belfast (and at BBC Radio Foyle in Derry) joined journalist colleagues around the UK in walking out at midday to hold a twelve hours strike.

BBC Radio Foyle picket © NUJ website

The first Radio Ulster programme affected was Talkback. The presenter and long-standing member Wendy Austin was among those joining the line outside the main entrance. Inside, members of management kept some output on the air including radio news bulletins. The NUJ action along with the broadcasting union BECTU is over job cuts, compulsory redundancies, harassment and bullying within the Corporation.

At BBC picket line

At the meeting of Belfast and District Branch of the NUJ, members expressed their solidarity with their colleagues on strike. Later some of the branch members including myself joined the chapel members on the picket line. It was an interesting branch meeting, during which we endorsed a statement by the union’s National Executive Council at its meeting last Friday that criticised the First Minister Peter Robinson:-

“The National Executive Council of the NUJ has called on First Minister Peter Robinson to withdraw his remarks for the people of Northern Ireland to “stop reading the Irish News. The NEC considers the First Minister’s controversial remarks ill-considered and demands that he withdraws the boycott of the newspaper immediately. The Irish News and its journalists have the right to pursue legitimate questioning in the public interest and the NUJ will defend its members’ rights to do so.”

NUJ Belfast & District Branch meeting

The Branch also heard from Ridwaan Haji, a Somali journalist and NUJ member based in London, about the serious situation facing journalists in the Horn of Africa. He told us that eighteen journalists had been killed there last year and so far this year three had died, almost all of them in the capital, Mogadishu. Last Sunday a female radio journalist 21 year-old Rahma Abdulkadir was shot dead near her house by three young men carrying pistols. The Guardian reports that her main focus was human rights in Somalia, particularly womens’ rights. The International Federation of Journalists (IFJ) has condemned the killing.

Ridwaan reviews the list of murdered journalists

Tonight the UNESCO Director General Irina Bokova denounced the murder and called for an investigation into the crime. Members of the media killed during conflict will be remembered during the IFJ Congress in Dublin later this year and it is hoped that the Branch will have a stand at the conference hall in Dublin Castle on June 6th. Preparations are also continuing for a one-day safety conference for journalists and media workers in Northern Ireland to be held before July.

CAROLYN’S FAREWELL

27/03/2013 by borderroamer

Carolyn’s Farewell

The popularity of my last blog, one of the most widely read since I started on New Year’s Day, can be attributed not so much to the content but rather to the subject: my younger sister Carolyn. She finishes on Thursday after completing around 35 years’ service to RTÉ mainly in the News and Current Affairs department. Last night her colleagues gathered at O’Connell’s in Donnybrook to say farewell. Those who are of a certain generation might remember it better as Madigan’s, frequented by RTÉ staff both at lunchtimes and in the evenings.

Sign at main entrance

Star Quality

Tom and his staff made guests feel very welcome when they arrived. Some of Carolyn’s colleagues had put in a great effort to decorate the tables and surrounding area with photographs, including some provided by my youngest brother of Carolyn in her early days. When the video rolled, threatening to open wide the Fishergate files, it asked the question: where did it all start? or words to that effect. But I never heard any mention of London, her birthplace! Like my other two brothers, she was born when my father was working there, first of all as London Editor of the Irish Press and then as Editor of the Catholic Herald newspaper.

In a recent interview with Eileen Dunne, he said that he believed his best work as a journalist had been his coverage from Rome of Vatican II. He began his career in public service broadcasting in September 1967, when he was appointed deputy Head of News at RTÉ in Dublin. His fellow Derryman, Jim McGuinness, who had also been in the Irish Press, had helped to persuade him to return to Ireland at a time when he was working as a freelance and had just finished writing his first book entitled “The Church in Transition”. The publisher was Geoffrey Chapman, who lived a few streets away from us in Wimbledon, in the Sacred Heart parish which the Jesuits will leave later this year.

Carolyn Fisher & Miriam O’Callaghan

Miriam O’Callaghan acted as the MC for the speeches, which began with Director of News Kevin Bakhurst, followed by the Managing Editor Current Affairs TV David Nally, whose memories of Carolyn with her spiky hair went back to his student days. A contemporary from UCD days recalled how Carolyn (History, Politics) and her friend Mags brightened up the corridors of Belfield. Now Carolyn’s son Sam has followed her footsteps in Belfield and is currently doing an MA in Archives and Record Management. In the punk rock days, “record” might well have referred to singles, and LPs, of which my brother built up an extensive collection!

Peter Feeney who I remember from schooldays in Gonzaga College (his brother was in the same class) also spoke in very complimentary terms about Carolyn. Like David, he also mentioned the role my father had played in RTÉ.

Carolyn Fisher and Bride Rosney

Among the attendance was Carolyn’s former boss, Bride Rosney. I happened to meet her in Belfast last Saturday, when she accompanied the former President Mary Robinson, now appointed to a major new role with the UN. Both were attending the celebration for the life of Inez McCormack.

Carolyn bids farewell

Carolyn joined RTÉ about a year or so before I did. So I reckon she has spent some 35 years there. I worked there for 31 years and my father for 16 years. So between the three of us, we have contributed over 80 years’ service to public service broadcasting in Ireland as well as a few years to the BBC. It was perhaps appropriate that the new Director of News Kevin Bakhurst (ex BBC News) should be the first to be called on to address the farewell gathering. It marked an important chapter in our family history.

Kevin Bakhurst speech

LOOK YOUR BEST IN COLOUR

26/03/2013 by borderroamer

Colour Test Chart

Saying farewell to the BBC television centre in yesterday’s blog, I came across a document which my father seems to have acquired after a brief attachment to BBC News in London in summer 1967 before his return to Dublin and a post as deputy Head of News in RTÉ. The foreword says “going into colour is the greatest opportunity BBC Television News has had for many years”. This was at a time when news broadcasts came from the Alexandra Palace studio. The move to the new quarters at Television Centre at White City did not happen until 1969. Some interesting figures about the building, quoted in a BBC booklet at the time, can be found on a blog by Matt Verrill, Technical Project Manager, BBC Children’s Interactive.

BBC booklet 1970

The final news programme to be broadcast from Ally Pally was a late night news on BBC 2 on Friday 19 September 1969 in colour. Over that weekend, sixty-five removal vans transferred the contents of Alexandra Palace across London. BBC Television News resumed operations the next day with a lunchtime bulletin on BBC 1 – in black and white – from Television Centre, where it remained until a week ago (March 18th). Bob Taylor, a retired engineer, described his memories of the operation here. The same article contains an observation which will interest any readers in Northern Ireland. Referring to a colour transmission to America in the NTSC format on the night of Neil Armstrong’s moon landing (July 20th 1969) Bob remarked:-

“I was in charge of the (technical) line-up that night (at Alexandra Palace) and witnessed the excitement of those first steps. As part of a World roundup of reaction for the American networks, we had in our (news) studios various dignitaries including Rev Ian Paisley and another Irish MP of the time Bernadette Devlin. She was very young and a reactionary, but it was interesting that she never answered a question until her minder spoke in her earpiece and told her what to say“.

Unlike Bernadette to be stuck for words! But that was how the BBC man remembers it. He

Back to the Colour Guide. This is how BBC news presenters and reporters were advised to dress to “Look Your Best in Colour”. Starting with MEN, who certainly dominated the television news industry in those days, the GENERAL advice is:-

“Partly because of the size of the screen, partly because of the television system, colours tend to be exaggerated by television. This is particularly true of reds and blues. This means that, in an interview for instance, people wearing quiet colours (women: an natural make-up) are likely to look best. Viewers’ attention will not be distracted and interest will centre on the faces and not on the clothes. CLOTHES: While a dark coloured suit is all right, you will look better in a mid-toned one of any colour. Tweeds are excellent. Very pronounced horizontal striped or checked patterns are liable to produce a strobroscopic effect. Don’t wear a bright shirt; an off-white or pastel-coloured one is best. A quiet tie looks better than a loud one. MAKE-UP: If you can shave shortly before coming to the studio it will lessen the risk of ‘five o’clock shadow’, which looks even worse in colour. If we ask you to use any make-up at all it will be only a small amount to make you look yourself on the screen, to counteract the colour system which tends to exaggerate the features (particularly the mouth and ears) of some people“.

This is the bit I like, but I wonder how often the advice was taken:

“Finally — and no joking — it is better not to have a drink (**it doesn’t specify whether alcoholic or not**) just before transmission — it will heighten your colour noticeably!” The same advice applies for WOMEN. They are told about their CLOTHES:-

“So, wear medium-tone clothes neither very dark nor very light, Beige, tan and grey are particularly good. Avoid large unbroken areas of black or white. Provided that the design is not too pronounced, dresses made of patterned material can look very effective. Smooth, very shiny fabrics, especially in light colours, will not flatter you, and may cause technical difficulties, but fur, wool, cotton, linen, tweed, lace, suede and leather are all good. The rule about very pale colours applies also to stockings. Sequins are likely to reflect light and be distracting. For the same reason do not wear large and bright jewellery. MAKE-UP: Do not use a thick foundation; remember to match your foundation as near as possible to your skin colour. If you DO use a darker foundation ensure that you blend it well down your neck. Use eye shadow sparingly; avoid strong colours. A lipstick in the ‘soft coral’ or ‘brownish’ range is preferable to a blue-pink or red one. In case we DO have to adjust your lip colour please avoid indelible lipsticks“.

So now you know how to look your best on colour television! Sure the likes of Eugene McVeigh or John Coghlan could have told you that immediately they pointed their camera at you. The guide though was intended for studio operations. Out in the field they probably would have added: …..and bring a hairbrush with you! Meanwhile there are a few other BBC News guidelines drawn up by the assistant editors for BBC2 News:-

REPORTING Be very careful of Fleet Street ‘journalese’ — it sounds terrible — and of unfair methods in obtaining stories. We have the BBC reputation to maintain. PERFORMING News doesn’t want television ‘personalities’, but you must have impact….Appearance matters, mostly in a negative way: you should not be uncombed, bristle-chinned, loose-tied, or curiously dressed, because such things distract from our news purpose“.

All this television news history by way of marking an important chapter in family history: my sister Carolyn (senior Press Officer) is taking leave from her colleagues in RTÉ News in Dublin this evening and finishes on Thursday after some 36 years in the organisation. She joined RTÉ a year or two before me, having helped to set up the first BBC office in Dublin where Philip Whitfield was the correspondent. As I mentioned, my father Des Fisher began in 1967 and retired in 1983 when he was Head of Broadcasting Development, having helped to set up RTE2 with the late Dick Hill and Raidio na Gaeltachta. He was interviewed recently by Eileen Dunne for The God Slot on Radio 1 about his memories of covering Vatican II and his hopes for the new Pope. So add his 16 years to my own 31 years from January 1979 to September 2010 and Carolyn’s record and you have a total between us of over 80 years’ contribution to public service broadcasting in Ireland, each if us having appeared on radio and television in some shape or form over that period.

The farewell gathering was well attended and took place at O’Connell’s in Donnybrook (Peter Feeney referred to the time when it was Madigans pub, a favourite watering hole for RTÉ staff). Carolyn’s colleagues in the Communications section did a great deal of organisation along with friends in News and Current Affairs, who put together a video package containing many clips of Carolyn I had not seen before. Thanks to Miriam O’Callaghan who introduced the speakers, including the new Director of News and Current Affairs Kevin Bakhurst and Managing Editor of Current Affairs TV David Nally. It was great to catch up with a number of former newsroom colleagues.

Carolyn Fisher & Miriam O’Callaghan

FAREWELL BBC TV CENTRE

25/03/2013 by borderroamer

BBC TV Centre London

So farewell to the loyal and trusted servant Esther Rantzen called a”media cathedral”. BBC television has made its last live broadcast from the London HQ opened 53 years ago. It will vacate the 14 acre site on Sunday March 31st. TV Centre was sold last year for £200m to a property developer and is to be redeveloped into a hotel, flats, a cinema and offices.

Stage Six TV Centre

The three main television studios will be refitted and leased out to production companies, including the BBC, from 2014/15. The commercial arm BBC Worldwide will move into what is known as “Stage 6”, an area used by BBC News up until its transfer to Broadcasting House in a new multimedia newsroom near Oxford Circus. Many other BBC staff have now moved to the new Media City at Salford Quays beside Manchester.

Having started my news reporting training in the basement of the old section of Broadcasting House in April 1974 on my 22nd birthday, it was slightly daunting to move on to the television side of the operation. This meant a period of familiarisation at the television centre at White City, a very different location from the bustling atmosphere of central London.

My first day there (and I have just found the paperwork for the course) was on October 21st 1974. There were eight trainees including myself on the course. One of the particpants on the same scheme the previous year was Tony Hall, who after moving to the private sector in 2001 is the incoming Director General of the BBC. The month-long course was organised by Ivor Yorke, who went on to become head of journalist training and wrote a manual on television news reporting. The first day consisted of a tour of the Spur, followed by a visit to the news studio N1 and a seat in the observation gallery for the rehearsal and transmission of the early evening bulletin at 5:45pm. It was fascinating to see all the elements coming together and then watch as the news went live.

TV Centre 1977

I remember amongst others Philip Hayton who had just started as a TV home news reporter. His colleagues at the time included Michael Buerk and Michael Cole. The late Brian Hanrahan who had joined the Corporation as a junior clerk in the photo library in 1971 was a sub-editor or script writer, before moving on to become duty editor and then Northern Ireland Correspondent, based in Belfast.

Brian Hanrahan

Brian was among the people I found very welcoming when I began a three months attachment in television newsroom immediately after the short course. I met him again on one or two occasions when he was sent back to cover events in the North. Only now am I discovering that he was a supporter of the Integrated Education Fund here and had attended an IEF dinner at the House of Lords a month before his death.

Among my memories of working at the television centre are the visits to the canteen for lunch and tea breaks (the duration of which was laid down in agreements with the unions). There was also the possibility of visiting the fourth floor BBC Club, particularly after a shift had finished.

BBC Club at TV Centre

On Thursday nights when Top of the Pops was recorded in one of the large studios the bar was usually crowded. Among the acts who appeared with their Christmas single in 1974 were The Wombles from Wimbledon, where I was living in a bedsit at the time. I was also able to follow once again the fortunes of the local football club, then top of the Southern League and enjoying a great FA Cup run.

Other big programmes to be recorded there or broadcast live included Blue Peter, Morecambe and Wise and I, Claudius along with sports programmes such as Grandstand, to name but a few. A record of many of the programmes and an informal history of Television Centre can be found here.

News Extra Caption

David Holmes

My main memory of may days at White City will be my role as a sub editor on the innovative late-night news programme on BBC2 called News Extra, when the late Derrick Amoore who had created Nationwide was Editor of Television News. The regular presenter was David Holmes. However the starting time for the bulletin was a bit of a moveable feast, being any time after 11pm usually. There was one consolation however of having to work after midnight. The BBC in those days provided taxis home for its staff late at night and I would usually share with a colleague heading in the same direction.

Although the bulletin was a change from the regular evening ones on BBC1 and allowed time for reporters to explain the background to a story in four or five minute film packages with longer interviews, instead of the standard ninety seconds or two minutes, it managed only to attract around half a million viewers nightly, mainly insomniacs, I suspect! In his book “Putting Reality Together: BBC News” (1987), Professor Philip Schlesinger (Glasgow) says that the great self-confidence in the Television News department in the early 1970s following the move from Alexandra Palace and the assured place of News in the Corporation’s output had disappeared by 1975. He goes on:-

“The main symptom of the News Department’s loss of prestige was the axing of the BBC-2 late-night news programme News Extra. According to informants this came about because the programme, the most sophisticated news output of the department, was extremely vulnerable at a time when the BBC was looking for cuts. News Extra was axed for several reasons. The most fundamental would seem to be its failure to attract high audience ratings, at a time when outputs had increasingly to be justified in those terms — even those on the ‘minority’ channel, BBC-2. In the world of commercially competitive broadcasting, not even a public service Corporation can escape the ultima ratio. While News Extra’s defenders argued that it was being transmitted on a channel where audiences were anyway not high, this proved to be no defence“.

If I get time, I will add pictures of some old scripts from News Extra here. For a glimpse inside the vacated offices of TV centre, there are some in this article (Daily Mail) “End of an era: Sad pictures of inside of what’s left of BBC TV Centre as doors close for the last time and staff move across London”.

Michael Fisher's News

Category Archives: NEWS

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VESUVIUS LEGACY

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CAROLYN’S FAREWELL

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FAREWELL BBC TV CENTRE

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